{"id":59,"date":"2021-05-14T23:39:05","date_gmt":"2021-05-14T23:39:05","guid":{"rendered":"https:\/\/bars.ac.uk\/conference2021\/?page_id=59"},"modified":"2021-08-11T13:10:55","modified_gmt":"2021-08-11T13:10:55","slug":"programme","status":"publish","type":"page","link":"https:\/\/bars.ac.uk\/conference2021\/programme\/","title":{"rendered":"Programme"},"content":{"rendered":"\n<p>The outline programme and the full programme can both be seen below.  The programme can also be downloaded as a convenient Word document.<\/p>\n\n\n\n<p>Access to the conference sessions requires <a href=\"https:\/\/bars.ac.uk\/conference2021\/registration\/\" data-type=\"page\" data-id=\"122\">registration<\/a> &#8211; Zoom links will be circulated to registered delegates via email.<\/p>\n\n\n\n<div class=\"wp-block-file\"><a href=\"https:\/\/bars.ac.uk\/conference2021\/wp-content\/uploads\/2021\/08\/BARS-Romantic-Disconnections-Reconnections-Programme-9th-August-final-version-1.docx\">BARS-Romantic-Disconnections-Reconnections-Programme-9th-August-final-version-1<\/a><a href=\"https:\/\/bars.ac.uk\/conference2021\/wp-content\/uploads\/2021\/08\/BARS-Romantic-Disconnections-Reconnections-Programme-9th-August-final-version-1.docx\" class=\"wp-block-file__button\" download>Download<\/a><\/div>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><u>Outline Programme<\/u><\/strong><\/h3>\n\n\n\n<p><strong><u>Thursday August 12th<\/u><\/strong><\/p>\n\n\n\n<p>2:30pm-2:50pm \u2013 Welcome<\/p>\n\n\n\n<p>3pm-4:15pm \u2013 Panels 1<\/p>\n\n\n\n<p>5pm-6:15pm \u2013 Panels 2<\/p>\n\n\n\n<p>6:30pm-7:45pm \u2013 Plenary Roundtable: Everything is Disconnected: Ecocriticism at a Distance<\/p>\n\n\n\n<p><strong><u>Friday August 13th<\/u><\/strong><\/p>\n\n\n\n<p>2pm-3:15pm \u2013 Plenary Lecture: Orrin Wang (Stephen Copley Plenary)<\/p>\n\n\n\n<p>3:30pm-4:45pm &#8211; Panels 3<\/p>\n\n\n\n<p>5:30pm-6:45pm &#8211; Panels 4<\/p>\n\n\n\n<p>7pm- 8:30pmish \u2013 Disco-nnections Happy Hour (social session)<\/p>\n\n\n\n<p><strong><u>Monday August 16th, Tuesday August 17th and Wednesday August 18th<\/u><\/strong><\/p>\n\n\n\n<p>Fifteen <a href=\"https:\/\/bars.ac.uk\/conference2021\/salon-details\/\" data-type=\"page\" data-id=\"119\">Salons<\/a><\/p>\n\n\n\n<p><strong><u>Wednesday August 18<sup>th<\/sup><\/u><\/strong><\/p>\n\n\n\n<p>4pm-5pm \u2013 BARS Executive Open Meeting \u2013 Updates and Consultation<\/p>\n\n\n\n<p><strong><u>Thursday August 19th<\/u><\/strong><\/p>\n\n\n\n<p>9am-10:15am \u2013 Panels 5<\/p>\n\n\n\n<p>10:30am-11:45am \u2013 Panels 6<\/p>\n\n\n\n<p>1pm-2:15pm \u2013 Plenary Roundtable: Heritage and Representation<\/p>\n\n\n\n<p>2:30pm-3pm \u2013 BARS First Book Prize Ceremony<\/p>\n\n\n\n<p>3:30pm-5pm \u2013 Poetry and Tea (social session)<\/p>\n\n\n\n<p><strong><u>Friday August 20th<\/u><\/strong><\/p>\n\n\n\n<p>1:30pm-2:45pm \u2013 Plenary Lecture: Mary Fairclough (Marilyn Butler Lecture)<\/p>\n\n\n\n<p>3pm-4:15pm \u2013 Panels 7<\/p>\n\n\n\n<p>5pm-6:15pm \u2013 Panels 8<\/p>\n\n\n\n<p>6:30pm-7pm \u2013 Closing Words<\/p>\n\n\n\n<p><strong><br><\/strong><\/p>\n\n\n\n<h3 class=\"wp-block-heading\"><strong><u>Full Programme<\/u><\/strong><\/h3>\n\n\n\n<p><strong><u>Thursday 12<sup>th<\/sup> August<\/u><\/strong><\/p>\n\n\n\n<p><strong>2:30pm-2:50pm: Welcome<\/strong><\/p>\n\n\n\n<p><strong>3pm-4:15pm: Panels 1<\/strong><\/p>\n\n\n\n<p><em>Poetic Reckonings<\/em><\/p>\n\n\n\n<p>Chair: Tess Somervell<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Christopher Stokes \u2013 \u2018Things are of value now that once appeared of no account\u2019: Disconnecting Romanticism from Lyric in Joanna Baillie\u2019s Occasional Verse<\/li><li>Francesca Blanch-Serrat \u2013 \u2018Youth and health, in the chill\u2019d grasp of Time \/ Shudder and fade\u2019: Reconnecting with the Self in Anna Seward\u2019s <em>Original Sonnets<\/em> (1799)<\/li><li>Jack Rooney \u2013 \u201cPost-Romantic\u201d Connections: Emily Bront\u00eb, Thomas Wade, and the Withering of Romantic Imagination<\/li><\/ul>\n\n\n\n<p><em>Remaking Romanticism<\/em><\/p>\n\n\n\n<p>Chair: Andrew McInnes<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Eric Lindstrom \u2013 Intimations of the Ode<\/li><li>Zo\u00eb Van Cauwenberg \u2013 \u2018Tell me what are my Wordsworth\u2019: Lyrical Connections and the Persistence of Romantic Reverie in Taylor Swift\u2019s <em>Folklore<\/em> (2020)<\/li><li>Sean Barry \u2013 Beyond the Fascist Sublime? Malick among the Alps<\/li><\/ul>\n\n\n\n<p><em>Humphry Davy Notebooks Project Panel<\/em><\/p>\n\n\n\n<p>Chair: Sharon Ruston<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Sharon Ruston \u2013 From Poetry to Science: Humphry Davy\u2019s 1800 Notebook, RI MS HD 13D<\/li><li>Frank James \u2013 Between Dichotomies: Thomas Richard Underwood (1772-1835)<\/li><li>Eleanor Bird \u2013 Reconnecting Humphry Davy\u2019s Notebooks and Transatlantic Slavery<\/li><\/ul>\n\n\n\n<p><strong>5pm-6:15pm: Panels 2<\/strong><\/p>\n\n\n\n<p><em>Communicative Powers<\/em><\/p>\n\n\n\n<p>Chair: Francesca Saggini<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Monica Mastrantonio \u2013 Methods in Language Studies: The Use of Letters in Narratology and Literature Studies<\/li><li>Phoebe Lambdon \u2013 \u2018I have been quite intimate with you, most likely without you ever having heard my name\u2019: The Importance of the Letter Form in the Friendship between Fanny Brawne and Fanny Keats<\/li><li>Emily B. Stanback \u2013 Epistolary Pathographies and Bodily Connection<\/li><li>Michael Nicholson \u2013 Silent Eloquence: Melville\u2019s Romantic Fragments and the Aesthetics of Disability<\/li><\/ul>\n\n\n\n<p><em>Veering Lineages<\/em><\/p>\n\n\n\n<p>Chair: Tess Somervell<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Fatima Rueda-Giraldez \u2013 The European Debate on Classical Mythology between the 18th and 19th Centuries: Continuity or Rupture?<\/li><li>Matthew Leporati \u2013 William Blake\u2019s Epic (Dis)Connections<\/li><li>Matthew Ward \u2013 Poetic Measures and Laughing Pleasures in Percy Shelley\u2019s \u2018Hymn to Mercury\u2019<\/li><li>Bo-Yuan Huang \u2013 \u2018The Chinese Elia\u2019: Liang Yu Chun and His Connection with Charles Lamb<\/li><\/ul>\n\n\n\n<p><em>Women\u2019s Movements<\/em><\/p>\n\n\n\n<p>Chair: David Fallon<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Kate Moffatt \u2013 When (Austen\u2019s) Women Walk<\/li><li>Laura Kirkley \u2013 Cosmopolitan Connection in Wollstonecraft\u2019s <em>Cave of Fancy<\/em><\/li><li>Lindsey Seatter \u2013 Stylistic (Dis)Connections: A Case Study of Jane Austen<\/li><li>Anne-Claire Michoux \u2013 The Shock of the Familiar: Reconnecting with a Native Home in Romantic Life-Writing<\/li><\/ul>\n\n\n\n<p><strong>6:30pm-7:45pm: <a>Plenary Roundtable \u2013 Everything is Disconnected: Ecocriticism at a Distance<\/a><\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Jeremy Davies (convenor)<\/li><li>Joseph Albernaz<\/li><li>Amanda Jo Goldstein<\/li><li>Francesca Mackenney<\/li><\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><u>Friday 13<sup>th <\/sup>August<\/u><\/strong><\/p>\n\n\n\n<p><strong>2pm-3:15pm: Plenary Lecture \u2013 Orrin Wang (Stephen Copley Plenary)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Two Pipers and the Clich\u00e9 of Romanticism<\/li><\/ul>\n\n\n\n<p><strong>3:30pm-4:45pm: Panels 3<\/strong><\/p>\n\n\n\n<p><em>New Perspectives on Maria Edgeworth<\/em><\/p>\n\n\n\n<p>Chair: Katie Garner<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Lucy Cogan \u2013 Drunkenness, Maria Edgeworth and Erasmus Darwin<\/li><li>Abigail Tetzlaff \u2013 The Urban Flight: Achieving Familial Re-connection in the Suburbs through Urban Disconnection in Maria Edgeworth\u2019s <em>Belinda<\/em><\/li><li>Aino Haataja \u2013 Connecting with the \u2018world\u2019: Maria Edgeworth and Female \u2018knowledge of the world\u2019<\/li><\/ul>\n\n\n\n<p><em>Appropriations and Reworkings<\/em><\/p>\n\n\n\n<p>Chair: Francesca Saggini<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Jeanne Britton \u2013 Darwin\u2019s <em>Love of the Plants<\/em>: Verse, Note, Image, and Index<\/li><li>Alex Barber \u2013 Yankenstein: A Closer Look at Nogaret\u2019s <em>Miroir<\/em><\/li><li>Sarah Burdett \u2013 Adapting the German Heroine for the London Stage<\/li><li>Josh Dight \u2013 \u2018impressions on their minds\u2019: Martyrs, Chartists and the Radical Requiem<\/li><\/ul>\n\n\n\n<p><em>Rethinking Romanticism Now<\/em><\/p>\n\n\n\n<p>Chair: Andrew McInnes<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Bethany Brigham \u2013 Reconnecting the History of Bioethics: Frankenstein and the Romantic Hospital<\/li><li>Alexandra Gallagher \u2013 Connecting Vital Sensations: Twenty-First Century Reflections on Breathing and Late Eighteenth-Century Vitalism Debate&nbsp;&nbsp;<\/li><li>Kitty Shaw \u2013 Studying Romanticism as a Comparatist: How Do We Connect With Romanticism in the Anthropocene?<\/li><li>Simon Clewes \u2013 Queer Utopia and the Male-Male \u2018Romantic Friendship\u2019 in William Godwin\u2019s <em>Cloudesley<\/em> (1830)<\/li><\/ul>\n\n\n\n<p><strong>5:30pm-6:45pm: Panels 4<\/strong><\/p>\n\n\n\n<p><em>Weaving the Gothic<\/em><\/p>\n\n\n\n<p>Chair: Andrew McInnes<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Molly Watson \u2013 Percy Shelley\u2019s Gothic (Dis)connections<\/li><li>Ruth-Anne Walbank \u2013 \u2018The Devil knows how to row\u2019: Hellscapes and how to navigate them in Coleridge\u2019s The Rime of the Ancient Mariner<\/li><\/ul>\n\n\n\n<p><em>Solitude and Solace<\/em><\/p>\n\n\n\n<p>Chair: Amanda Blake Davis<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Sam Quill \u2013 \u2018The Idea of Necessary Connexion\u2019: Sociability, Loneliness, Scepticism<\/li><li>Tricia Monsour \u2013 Solitude and Self-Destruction in the Male Figure in Mary Shelley\u2019s <em>Frankenstein<\/em> and Thomas Love Peacock\u2019s <em>Nightmare Abbey<\/em><\/li><li>Lisbeth Chapin \u2013 Shelley\u2019s \u2018gentle pain\u2019: London, Leghorn, and \u2018Letter to Maria Gisborne\u2019<\/li><\/ul>\n\n\n\n<p><em>Capital Exchange?<\/em><\/p>\n\n\n\n<p>Chair: David Fallon<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Susan Egenolf \u2013 Josiah Wedgwood, his Laborers and the Limits of Reciprocity<\/li><li>Lise Gaston \u2013 Connecting Coasts: The Transatlantic Minerva Press<\/li><li>Gary Kelly \u2013 Sublime Disconnections: Revolutionary Subjects in the Romantic Onset of Modernity<\/li><\/ul>\n\n\n\n<p><strong>7pm-8:30pm (or thereabouts): Disco-nnections Happy Hour<\/strong><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><u>Monday 16<sup>th<\/sup>, Tuesday 17<sup>th<\/sup> and Wednesday 18<sup>th<\/sup> August<\/u><\/strong><\/p>\n\n\n\n<p><strong>Salons (sign-ups required in advance)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>A Ridiculous Salon<\/li><li>Archives and Extraordinary Bodies<\/li><li>Austen After 200: New Reading Spaces<\/li><li>British Romantic Theatre<\/li><li>Death and Data: The Gravestone Project and Romantic Memorialization<\/li><li>Economies and Ecologies<\/li><li>Edgeworth Networks: Past and Present<\/li><li>Global Romanticism<\/li><li>Maker Romanticism<\/li><li>Networking the Salon<\/li><li>On the Edge: Romantic Paratexts and Marginality<\/li><li>Romanticism and Translation<\/li><li>Science, Imagination, Desire<\/li><li>\u2018The Gate Shall Fly Open\u2019: 22 St James\u2019s Place<\/li><li>Which Books were Really Circulating in the Romantic Period?<\/li><\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><u>Wednesday 18<sup>th<\/sup> August<\/u><\/strong><\/p>\n\n\n\n<p><strong>4pm-5pm: BARS Executive Open Meeting \u2013 Updates and Consultation<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Please come along to hear from the Executive what BARS has been doing in the past two years and what current plans for the future are.&nbsp; We welcome feedback and ideas from our members at this session.<\/li><\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><u>Thursday 19<sup>th<\/sup> August<\/u><\/strong><\/p>\n\n\n\n<p><strong>9am-10:15pm: Panels 5<\/strong><\/p>\n\n\n\n<p><em>Material Connections<\/em><\/p>\n\n\n\n<p>Chair: Anna Mercer<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Vivien Chan \u2013 Ecologizing Romantic Consciousness: Reconnecting Nature, Agency of Matter and Embodied Thought in Lyrical Ballads<\/li><li>Gillian Russell \u2013 Gaslighting Romanticism: George Scharf\u2019s Networked London<\/li><li>Alice Rhodes \u2013 \u2018Such impression his words made\u2019: Speech as Action in Percy Bysshe Shelley\u2019s \u2018Julian and Maddalo\u2019<\/li><\/ul>\n\n\n\n<p><em>Flirting with Negation<\/em><\/p>\n\n\n\n<p>Chair: Brecht de Groote<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Tim Milnes \u2013 The Decay of Kant: De Quincey, Disgust, and Ontological Catastrophe<\/li><li>Yimon Lo \u2013 \u2018speak no more, think no more\u2019: Linguistic Validation and Disavowal of Madness in British Romanticism<\/li><li>Chris Bundock \u2013 \u2018Why is it that I feel no horror?\u2019: Emotional Disconnection and the Agitated Body in <em>Mathilda<\/em><\/li><\/ul>\n\n\n\n<p><em>Serendipitous Encounters<\/em><\/p>\n\n\n\n<p>Chair: Francesca Saggini<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Carl-Ludwig Conning \u2013 \u2018A poet, however, whom we fear that few Swedish people know about\u2019: Hellen Lindgren\u2019s 1892 Reconnection with Percy Bysshe Shelley<\/li><li>Yu-Hung Tien \u2013 \u2018He was my host \u2013 he was my guest\u2019: Reconnecting Emily Dickinson with her Literary Ancestors<\/li><li>Yuko Otagaki \u2013 Romantic Disconnections and Reconnections: Wordsworth and Tamiki Hara<\/li><li>Md. Monirul Islam \u2013 Of Pandemic, Politics and Prometheus Unbound: Teaching Shelley in the Indian Classroom<\/li><\/ul>\n\n\n\n<p><strong>10:30am-11:45pm: Panels 6<\/strong><\/p>\n\n\n\n<p><em>Making Meaning with Bookish Forms<\/em><\/p>\n\n\n\n<p>Chair: Cassie Ulph<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Penelope Cave \u2013 Mary Cooke\u2019s Book: Reconnecting an Album of Early Nineteenth-Century Piano Music.<\/li><li>Philip Shaw \u2013 \u2018Drunk with the beauty of this world\u2019: Reconnecting Wordsworth After War<\/li><li>Lewis Roberts \u2013 Extensions and Connections in the Romantic Manuscript<\/li><\/ul>\n\n\n\n<p><em>Periodical Scotlands<\/em><\/p>\n\n\n\n<p>Chair: Daniel Cook<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Megan Coyer \u2013 Reading James Hogg in <em>Fraser\u2019s Magazine for Town and Country, 1830-1836<\/em><\/li><li>Joanna Malecka \u2013 Connecting with the Past through Myth, Legend, and Imaginative Fiction: Editing James Hogg\u2019s Contributions to <em>Fraser\u2019s Magazine<\/em><\/li><li>Honor Rieley \u2013 Connection Interrupted: A Scottish Heroine, a Montreal Magazine and a Case Study in Colonial Reprinting<\/li><\/ul>\n\n\n\n<p><em>\u2018Speaking freely&#8230;of the Byron\u2019: Scandal and Byronic Gossip in the Romantic Period<\/em><\/p>\n\n\n\n<p>Chair: Emily Paterson-Morgan<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Amy Wilcockson \u2013 \u2018Half a Byronist &amp; half not\u2019: Thomas Campbell and Lady Byron<\/li><li>Charlotte May \u2013 \u2018Byron had become the rage\u2019: Samuel Rogers\u2019s Byronic Tales<\/li><li>Fern Pullan \u2013 True or False, Fact or Fiction?: The Dark Underbelly of Caroline Lamb\u2019s <em>Glenarvon <\/em>(1816)<\/li><\/ul>\n\n\n\n<p><strong>1pm-2:15pm: Plenary Roundtable \u2013 Heritage and Representation<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Jeff Cowton (Curator and Head of Learning at the Wordsworth Trust\/BARS Executive Member for Outreach and Impact)<\/li><li>Gillian Dow (English, University of Southampton and Vice President of BARS)<\/li><li>Susan Allen (Wordsworth Grasmere)<\/li><li>Emma Hills (University of Southampton)<\/li><li>Kim Simpson (Chawton House)<\/li><li>Jenny Uglow (Biographer, former Director of Chatto &amp; Windus)<\/li><\/ul>\n\n\n\n<p><strong>2:30pm-3pm: BARS First Book Prize Ceremony<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Chaired by Francesca Saggini<\/li><\/ul>\n\n\n\n<p><strong>3:30pm-5pm: Poetry and Tea<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Comp\u00e8red by Daniel Cook<\/li><li>In this social session we will be reading aloud some poetry from the Romantic period \u2013 and drinking tea. &nbsp;The mic is yours. &nbsp;In addition to the usual fare, we especially welcome lesser-known works from familiar or underrepresented figures, as well as original compositions inspired by our period. &nbsp;For details, please contact <a href=\"mailto:d.p.cook@dundee.ac.uk\">d.p.cook@dundee.ac.uk<\/a> \u2013 or simply Zoom in.<\/li><\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><strong><u>Friday 20<sup>th<\/sup> August<\/u><\/strong><\/p>\n\n\n\n<p><strong>1:30pm-2:45pm: Plenary Lecture \u2013 Mary Fairclough (Marilyn Butler Lecture)<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Action at a Distance: Romantic Protest, Poetry, and Print<\/li><\/ul>\n\n\n\n<p><strong>3pm-4:15pm: Panels 7<\/strong><\/p>\n\n\n\n<p><em>Influence and Interplay<\/em><\/p>\n\n\n\n<p>Chair: Matthew Sangster<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Marie Michlov\u00e1 \u2013 Virtuoso in Bath: Scott\u2019s Earliest Inspiration<\/li><li>Glen Brewster \u2013 \u2018Mind is god over matter\u2019:&nbsp; Horace Mann on European Educational Models<\/li><li>Rafael Argenton Freire \u2013 Asynchronous Connections: The Displaced Reception of British Romanticism in Brazil<\/li><\/ul>\n\n\n\n<p><em>Living in <\/em>The Prelude<\/p>\n\n\n\n<p>Chair: Tess Somervell<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Dana Moss \u2013 Reading <em>The Prelude<\/em> as an Archive of Friendship<\/li><li>David Lo \u2013 From \u2018I\u2019 to \u2018We\u2019: Collective Subjectivity in Wordsworth\u2019s <em>The Prelude<\/em><\/li><li>Miranda Jones \u2013 Outer Autobiography: Derek Walcott\u2019s Remodelling of <em>The Prelude<\/em><\/li><\/ul>\n\n\n\n<p><em>Political Reverberations<\/em><\/p>\n\n\n\n<p>Chair: Cassie Ulph<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>David Fallon \u2013 \u2018The object of all their cajoling is\u2014blood!\u2019: Burke, the Bookshop, and Trickle-Down Political Opinion<\/li><li>Caroline Winter \u2013 A \u2018Modern Monster\u2019: Charlotte Smith\u2019s Marchmont and Mr. Vampyre<\/li><li>Ioannes P. Chountis \u2013 Nineteenth-Century Greek Politics in the Romantic novel <em>Leandros<\/em><\/li><li>Matthew L. Reznicek \u2013 Staging the Revolution: Sydney Owenson, Grand Opera, and Alternative Political Futures<\/li><\/ul>\n\n\n\n<p><strong>5pm-6:15pm: Panels 8<\/strong><\/p>\n\n\n\n<p><em>Visuality and Self<\/em><\/p>\n\n\n\n<p>Chair: Anthony Mandal<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Kandice Sharren \u2013 Mary Robinson After Reynolds<\/li><li>Helen Dallas \u2013 Character Galleries: Criticism and the Interactional Model of Character in Drama<\/li><li>Jenny Sullivan \u2013 The Face as Feminist Resistance: The Portrait and the Gaze in Mary Hays\u2019s <em>Memoirs of Emma Courtney<\/em><\/li><\/ul>\n\n\n\n<p><em>The Shelleys Thinking Others<\/em><\/p>\n\n\n\n<p>Chair: Amanda Blake Davis<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Yasmin Solomonescu \u2013 Of One Mind: Extended-Mind Theory and Percy Shelley<\/li><li>Isaac B. Cowell \u2013 Truth and Consequences in Arendt and the Shelley Circle<\/li><\/ul>\n\n\n\n<p><em>Romanticism for Young Audiences<\/em><\/p>\n\n\n\n<p>Chair: Donelle Ruwe<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Donelle Ruwe \u2013 Blake and the 1970s Women\u2019s Poetry Movement<\/li><li>Mark Crosby \u2013 Blake and Sendak<\/li><li>Crystal Veronie \u2013 Sara Coleridge and Disability Studies<\/li><li>Katharine Capshaw \u2013 Phillis Wheatley and the Black Arts Movement<\/li><\/ul>\n\n\n\n<p><strong>6:30pm-7pm: Closing Words<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The outline programme and the full programme can both be seen below. The programme can also be downloaded as a convenient Word document. Access to the conference sessions requires registration &#8211; Zoom links will be circulated to registered delegates via email. Outline Programme Thursday August 12th 2:30pm-2:50pm \u2013 Welcome 3pm-4:15pm \u2013 Panels 1 5pm-6:15pm \u2013&hellip; <a class=\"more-link\" href=\"https:\/\/bars.ac.uk\/conference2021\/programme\/\">Continue reading <span class=\"screen-reader-text\">Programme<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-59","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/bars.ac.uk\/conference2021\/wp-json\/wp\/v2\/pages\/59","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bars.ac.uk\/conference2021\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/bars.ac.uk\/conference2021\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/bars.ac.uk\/conference2021\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bars.ac.uk\/conference2021\/wp-json\/wp\/v2\/comments?post=59"}],"version-history":[{"count":19,"href":"https:\/\/bars.ac.uk\/conference2021\/wp-json\/wp\/v2\/pages\/59\/revisions"}],"predecessor-version":[{"id":192,"href":"https:\/\/bars.ac.uk\/conference2021\/wp-json\/wp\/v2\/pages\/59\/revisions\/192"}],"wp:attachment":[{"href":"https:\/\/bars.ac.uk\/conference2021\/wp-json\/wp\/v2\/media?parent=59"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}